With sinuous lensing from his frequent ’90s cinematographer Elliot Davis, Rudolph puts a menacing yet contemplative spin on the storytelling tradition of good twin/bad twin. Matthew Modine expertly delineates his portrayals of the separated-at-birth brothers; one is a timid mechanic raised by salt-of-the-earth M. Emmet Walsh and pining for Lara Flynn Boyle, while the other is a flashy thug in Fred Ward’s crime ring and married to Lori Singer. Shall the twain meet?