Post-La Chinoise (and May ’68), Godard reteams with Léaud and Berto for this even more radical experiment, positioning his performers in the limbo of a black soundstage, lit by a single floodlight, as they interrogate the very meaning of language. Through the darkness and didacticism, this is paradoxically one of Godard’s most vibrant and direct expressions, a film of great purity, freedom, and feeling, an underseen work crucial in understanding his development as an artist. A Kino Lorber release.
In French with English subtitles
World premiere of new 2K restoration