For his Néstor Almendros-photographed debut—an Icarus myth at the end of the ’60s—Rohmer producer Schroeder set the self-destructive spiral of hedonistic lovers against the backdrop of diegetic Pink Floyd songs. Per Roger Waters: “[Schroeder] wanted the soundtrack to relate exactly to what was happening in the movie, rather than a film score backing the visuals.”

In French with English subtitles