“Ordinary fuckin’ people—I hate ’em!” Truer words were never spoken by Stanton, finally top billed as a car-repossession specialist who becomes mentor to punk rocker Emilio Estevez as they and an assortment of feds and UFO chasers hunt for a radioactive ’64 Chevy Malibu. A madcap ’80s indie classic that took a fresh look at the mean streets of L.A.