Throughout movie history, Paris has been one of the most lovingly photographed, most idealized cities, every charming café and tree-lined boulevard full of romantic possibility. But for a handful of non-French filmmakers peering in, the City of Lights represents something much darker and more sinister. Inspired by Nathan Silver’s new psycho-sexual black comedy Thirst Street (opening at the Quad September 20), this series surveys Parisian portraits by directors from Italy, America, and Poland, movies that warp the city’s glorified clichés and expose the seedy underbelly festering beneath those cobblestone streets.